Peter Shelton

Blog Contact Exhibitions/HARDSTRETCHdroop Whitney 1987 Biography/Resume Biography/Bibliography Installations/sixtyslippers Installations/blackelephanthouse Installations/godspipes Installations/thingsgetwet Installations/BLACKVAULTfalloffstone Installations/TUBtubesandpipes Installations/STRETCHspread Installations/HARDSTRETCHdroop Installations/floatinghouseDEADMAN Installations/pipegutwaterseatandSTANDSTILL Installations/MAJORJOINTShangersandsquat Installations/whiteroundHEAD Installations/trunknutsWHITEHEADfloater Installations/NECKWALLfootscreensleeper Installations/BIRDHOUSEholecan Installations/HEADROOMfootspace Installations/SWEATHOUSEandlittleprincipals Installations/brownrooms Commissions/thinmanlittlebird Commissions/cloudsandclunkers Commissions/ROCKshadow Select Works Videos Exhibitions/Recent Sculpture, Berggruen 2003 Exhibitions/LA Louver Skyroom 1995-2010 Exhibitions/bottlesbonesandthingsgetwet 1994 Exhibitions/gogglelipsandgeogobals for Celebes 2005 Exhibitions/redpocket, blackslot, uheader and drawings 2011 Exhibitions/ovalglobal 2003 Exhibitions/littleBIG 2014 Exhibitions/powerhousefrenchtablenecklaces 2012 Exhibitions/3 x 3 2010 Studio Works/select cast work Studio Works/cast work archive Works in process/process selects Studio Works/select mixed media Studio Works/mixed media archive Studio Works/current work Exhibitions/bagBOXTUBtubesandpipes 1989 Exhibitions/thingsicanthrow 1995 Exhibitions/WAXWORKS 1989 Exhibitions/shirtsandmonstermawbaggutheaderhead 1991 Exhibitions/dmeananlean 1999 Exhibitions/Extent 2018 Exhibitions/Anniottanta, MAMbo, Bologna 1985 Exhibitions/Sculpture 2015 Works in process/studio work in process Works in process/thingsgetwet Drawings & Prints/Proposals Drawings & Prints/General Commissions/sixbeastsandtwomonkeys Exhibitions/eyehand 2011 Exhibitions/Panza Collection 1980s - present Commissions/downnup Exhibitions/Peter Shelton 1991 Exhibitions/Peter Shelton Casting 1989 Exhibitions/Peter Shelton Recent Sculptures 1986 Exhibitions/Peter Shelton Jonathan Borofsky 2000 Photo gallery Exhibitions/Select group exhibitions Press

NECKWALLfootscreensleeper

The idea of "a sculptural skin figuratively reflecting the living form is another theme that recurs in Shelton's sculptures. In a work such as NECKWALL, 1980-81, parchmet colored cloth covers the skeletal structre of the architecture 'as if you were taking your skin off and stretching it onto a frame. . .a way of keeping that connection to the body,' ...space in NECKWALL is layered and topsy-turvy; the viewer's feet hover above eye level. Just as in HEADROOM, the viewer standing inside NECKWALL becomes an important part of the sculpture. The transparent and floating qualities of the floor of NECKWALL, are worth noting, not only as being related to dreams-- also suggested by the bed reference in sleeper-- but as an early reference to water." 2 of 43 next